Bebe Daniels


Ted Kincaid

Iceberg 714, 2014

Varnished Solvent Based Pigment on Canvas

(via gacougnol)


Illustrations by Nicolas Delort

Gathering inspiration in the daily and mundane as well as books and any kind of narrative medium, he endeavors to tell stories.

(via ghost-of-algren)




associating “moral” with “free market” is just puke worthy snark.


Пограничники. 1938 г.


The Charnel God-Clark Ashton Smith  by Sergiy Krykun 

(via wilburwhateley)


Speedpainting of a spoopy scary revenant

(via the-goddamn-doomguy)


The Thing: A Phenomenology of Horror, by Dylan Trigg, Zero Books, 2014. Info: zero-books.net.

"What is the human body? Both the most familiar and unfamiliar of things, the body is the centre of experience but also the site of a prehistory anterior to any experience. Alien and uncanny, this other side of the body has all too often been overlooked by phenomenology. In confronting this oversight, Dylan Trigg’s The Thing redefines phenomenology as a species of realism, which he terms unhuman phenomenology. Far from being the vehicle of a human voice, this unhuman phenomenology gives expression to the alien materiality at the limit of experience. By fusing the philosophies of Merleau-Ponty, Husserl, and Levinas with the horrors of John Carpenter, David Cronenberg, and H.P. Lovecraft, Trigg explores the ways in which an unhuman phenomenology positions the body out of time. At once a challenge to traditional notions of phenomenology, The Thing is also a timely rejoinder to contemporary philosophies of realism. The result is nothing less than a rebirth of phenomenology as redefined through the lens of horror."

Preface. Before Life
Chapter 1. From Beyond
Chapter 2. Elemental Horror
Chapter 3. The Body Out of Time
Chapter 4. The Flesh and the Thing
Conclusion. The Thing
Works Cited

New addition to the reading list.